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FILMING FIXER IN INDONESIA

SERVICES & FACILITATION

Filming Indonesia operation is to ensure your production running smoothly with detailed attention to preparation, looking ahead for any possibilities, to be successful production that be well planned, well execute, well managed. With experienced team and specialize in their expertise, we have no hesitation to handle big or small filming production.

Contact us for your details of shooting

Contact us before you apply, we work together to prepare the document and everything that needed to apply. Recce and production duration. We can prepare the estimation of the cost, cost of rentals, equipment, and manpower needed.

REQUEST FOR QUOTE
Prepare for the Required Documents

Prepare all the required document for your production before sending them to the Indonesian embassy. The document may vary depends on what your production be.

APPLICATION LINK HERE
Send the application to Indonesian Embassy

Once all completed, and the application ready. Please contact the Indonesian embassy in your country. Please see the list of worldwide Indonesian embassy address in this page below.

EMBASSIES LIST
Let us apply for your team’s journalist visa

When the government of Indonesia granted you the permit. We will apply to immigration for your journalist visa. We then will deliver the journalist visa for your travel to enter Indonesia and during the production.

Preparation service / Pre Production

Doing research prior production team arrive, validate interviewee sources, acquire information on locations permit cost and availability, local crew sourcing, gear rental pricing, equipment, transport survey, travel time management, accommodation suggestion, local advising and assisting visa application in the embassy (by Jakarta ministry)

Nationwide Location Services.

Location Scouting, Assessment Location availability, Local Custom advise, Securing location and Permits. Cost and fee to use the locations for shooting.

Please note that some National Parks require additional permit

51 NATIONAL PARKS
Liaising with Local Government.

Liaising with Local Government for securing journalist visa and filming permit. Providing support document from our company to facilitate your permit, sponsorship letter.

Assisting you when you enter the country in the local custom service for your luggage and equipment that you carry with or without ATA/CARNET (some country are ATA CARNET country aome are not, please use ATA CARNET whenever in avaiable county.

Organization of Travel and Logistic management

Sea, Air and Land travel arrangement, Hotel and domestic flights arrangement. Freight service importing equipment.

Car hire for your team & production car

Special car for casts, or producer, and director, security escort for travelling. Luggage car from airport or during the production. Travel management, travel time estimation.

Food, crafty and accomodation

Helps you for the food, crafty and location setting. or help getting purchase if necessary.

Shipment of Hard Drives

Helps you on shipping your backup harddrive to your country of editor.

Local Security

Facilitate local security if required, whether in locations of for the hero/casts/talents.

Budgeting

Budgeting to local standard and rates, maintaining and tracking budget during production. Bargaining to meet your expected budget whenever possible. Open straight and honest pricing and cost calculation.

Locations permit and travel permit

Shooting permit and travel permit from the national police headquarter and local police for all Indonesia, including Papua filming permit and location permit. As well as estimates and calculates location permit cost that may involved.

Custom & Local Advises

Local custom advises to obey the local cultures rules and law. Some local sets are expecting some extra costs.

Provide translation

Provide translator from Local language to English or other language. Translating document and legal paper using notary service.

Health support

Emergency precaution, Insurance advise, hospital advise, first aid treatment standard of 1st aider person class 1. Risk assessment on insurance and crew insurance. Emergency helicopter on standby, Doctor on standby, medical evacuation plan, nearby hospital and international medical evacuation to other international health facility.

Facilitate local SIM card & Data

Facilitate local sim cards with data for crew and internet connections. Releasing your phone IMEI to be able to use in Indonesia.

Local communication

Setting up VHF/UHF communication standard, repeaters, licensing to use the radio communication frequency, Satellite internet connection and satellite phone communication.

Camera, Kits Equipment rental

Equipment rental, From all lightings requirement and camera, lenses. We have a wide range of options for Lightings, Cinema Camera line ( FX 9, FX 3, Alexa Mini, Alexa LF, All sort of cine lenses), and gaffer / lightings equipment rental to save on your luggage cost when you fly to Indonesia

CONTRACTING & HIRING LOCAL CREWS

LOCAL FILM CREW HIRE AND EQUIPMENTS

Contracting and hiring local crews, rent facilitation, equipment, transport rentals, helicopter charter on the best negotiated price with supplier and subcontracts. Local crew support, local castings, extras, gaffer, grips, cameramen, DOP, props, tax information on hiring. Release form and contract form for the extras. Insurance advise of the local crew.

THE UNSUNG HEROES OF FILMMAKING

Crews that Works Behind The Scenes

In the glitz and glamour of the film industry, the spotlight often shines brightest on actors, directors, and cinematographers. However, behind every memorable scene and breathtaking shot, there are essential crew members who work diligently behind the scenes to make it all possible. In the realm of filmmaking, the magic that unfolds on the screen is a result of the collaborative efforts of numerous individuals working seamlessly behind the scenes,  bringing the director’s vision to life.

The Gaffer: Master of Light

The gaffer is the chief electrician on a film set, responsible for managing all aspects of lighting. Their primary goal is to create the right atmosphere and mood for each scene by strategically placing lights and controlling their intensity. Gaffers collaborate closely with cinematographers and directors to understand the visual tone of the film and then execute a lighting plan to achieve the desired effect.

One of the critical skills of a gaffer is the ability to shape and control light. This involves using various tools such as flags, diffusers, and reflectors to manipulate the direction and quality of light. Whether it’s a dramatic shadow in a film noir or a soft, natural glow in a romantic scene, the gaffer is the artist behind the canvas of light that enhances the visual storytelling.
In addition to creativity, technical expertise is crucial for a gaffer. They must understand the properties of different lights, color temperatures, and how these elements interact with the camera. Gaffers also work closely with the electrical department to ensure safety standards are met, as the powerful lights used on set can pose various risks.

The Gaffer: Master of Light

The gaffer is the chief electrician on a film set, responsible for managing all aspects of lighting. Their primary goal is to create the right atmosphere and mood for each scene by strategically placing lights and controlling their intensity. Gaffers collaborate closely with cinematographers and directors to understand the visual tone of the film and then execute a lighting plan to achieve the desired effect.

One of the critical skills of a gaffer is the ability to shape and control light. This involves using various tools such as flags, diffusers, and reflectors to manipulate the direction and quality of light. Whether it’s a dramatic shadow in a film noir or a soft, natural glow in a romantic scene, the gaffer is the artist behind the canvas of light that enhances the visual storytelling.
In addition to creativity, technical expertise is crucial for a gaffer. They must understand the properties of different lights, color temperatures, and how these elements interact with the camera. Gaffers also work closely with the electrical department to ensure safety standards are met, as the powerful lights used on set can pose various risks.

The Cameraman: Eyes Behind the Lens

The cameraman, often referred to as the camera operator, is the individual responsible for operating the camera during a shoot. Beyond the technical expertise required to handle sophisticated camera equipment, the cameraman is an artist with a profound understanding of composition, framing, and visual storytelling.
Every movement, angle, and shot captured by the cameraman contributes to the narrative flow of the film. They work closely with the director to interpret the script visually, translating words into moving images. The cameraman’s keen eye for detail and timing is crucial in creating the emotional impact that distinguishes a memorable film.
In addition to technical proficiency, the cameraman must possess excellent communication skills. Clear communication with the director, DOP, and other crew members ensures that everyone is on the same page regarding the visual style and aesthetic goals of the project.

The Director of Photography (DOP): Crafting the Visual Tapestry

The DOP, often referred to as the cinematographer, is the creative visionary behind the film’s visual aesthetic. Working hand-in-hand with the director, the DOP is responsible for translating the director’s vision into a cohesive and visually stunning narrative. Their role extends beyond camera operation to encompass the entire visual design of the film.
The DOP is a master of light, color, and mood. They collaborate closely with the gaffer to design and execute the lighting scheme that enhances the emotional resonance of each scene. Whether it’s the warm hues of a sunset or the cool tones of a suspenseful night, the DOP paints with light to evoke specific feelings in the audience.
Cinematography is a delicate dance between technical precision and artistic expression, and the DOP is at the center of this dynamic interplay. Their decisions regarding camera movement, lens selection, and framing contribute to the visual identity of the film and shape the audience’s perception of the story being told.

CAMERAMEN D.O.P  & SOUNDMEN

Our Indonesian crew meet International requirements standard. proved by their involvement in many international production in their resume with us. Either Cameramen, D.O.P, Sound technician, and operating international standard equipment at the highest quality possible.

GAFFER & GRIP

While actors and directors bask in the limelight, the gaffers and grips work tirelessly behind the scenes to ensure the magic of filmmaking happens seamlessly. Their contributions are often overlooked, but without their expertise and dedication, the cinematic experience we cherish would not be possible.

TALENTS & EXTRAS

Talents are extras are part for filmmaking. We have experiences to work with thousand of extras in one time, and sourcing talents as per your need for the pictures. The range of options of the talents are wide opens, worldwide options and requirements.

ASSISTANT & P.A.

While you can focusing on what you do best, let the smaller things to be taken care by your personal assistants to support your production requirement. We also working with runner for supporting productions.